Research into A) the roots of Japanese popular culture, and B) Meiji/Taisho global cultural interchange
The idea is to obtain and then share background knowledge and understanding
of some of the points about the global cultural interchange between Japan
and "the West" (Europe + the United States) referred to in Chapter
1 of the textbook. It would be a good idea to have at least a quick look
at the introduction and chapter 1 before you do the research. You should
be ready to talk about your research in Class no. 13.
I would like to divide you into four groups:
Group 1 (Chihiro, Mai, Nanami, Ryota, Takaya, Yudai) should focus on A, specifically
Japanese popular culture in the Edo period.
Members should go to a museum that has exhibits related to Japanese popular
culture, such as the ]ŒË“Œ‹ž”Ž•¨ŠÙ, before Class no. 13 (see the instructions below). They should also each
find a "reliable" English-language website that introduces Edo
popular culture to non-Japanese audiences, preferably to schoolchildren.
Please look at the instructions below as well.
Group 2 (Gen, Haruki, Kaho, Kaoru, Mami, Miku) should focus on A, specifically
Japanese art during and after the Edo period.
Members should go to a museum that is displaying ukiyoe, for example the
permanent exhibit at the “Œ‹ž‘—§”Ž•¨ŠÙ or to the Ota Memorial Museum of Art, which has an exhibition of Hokusai and Kiyoshika at the moment (until 28 May). There is a Jakuchu/Buson exhibition at the Suntory Art Museum (until May 10). (If you visit the “Œ‹ž‘—§”Ž•¨ŠÙ you should also see the choju giga exhibition, which finishes on June 7.) They should also each find a "reliable"
English-language website that introduces ukiyoe to non-Japanese audiences,
preferably to schoolchildren. Please look at the instructions below as
well.
Group 3(Gaku, Kaya, Keitaro, Shan, Shiori, Yosuke) should look at B, specifically non-Japanese influences on Japanese art/culture in the Meiji period onwards (Western-style painting and Nihonga).
Members should go to a museum that is displaying Japanese art/culture from
the Meiji period onwards, for example the “Œ‹ž‘—§”Ž•¨ŠÙ or the Yamatane Art Museum, or special exhibitions at the Kodansha Noma Memorial Museum. (If you visit the “Œ‹ž‘—§”Ž•¨ŠÙ you should also see the choju giga exhibition, which finishes on June 7.) They should also each find a "reliable"
English-language website that introduces ukiyoe to non-Japanese audiences,
preferably to schoolchildren. Please look at the instructions below as
well.
Group 4 (Ryohei, Seiji, Seito, Taiki, Takumi, Yunei) should focus on B, specifically Japanese influences on Western art. The most obvious example of this is the impressionist movement.
Members should go a museum that displays impressionist paintings before
Class no. 13. The ‘—§¼—m”üpŠÙ has impressionist paintings as well as other examples of Western art.
There is a special exhibition called "Intimate Impressionism" at the Mitsubishi Ichigokan Museum at the moment (until 5/24). They should
also each find a "reliable" English-language website that introduces
impressionism to non-Japanese audiences, preferably to schoolchildren,
and helps them to understand the links between impressionism and Japanese
art. Please look at the instructions below as well.
General instructions for the visits to museums:
Please visit a museum that has a collection relevant to your group. Before
you go to the museum, read, or reread, the relevant part of the chapter,
and think about what you expect to see. (You could also do some preliminary
internet research.) As you look at the exhibits, think (of course) about
what appeals to you and why, but also think about the artist and his or
her intentions/the intended audience (and the unintended audience)/the
colour/design/use of symbols etc., and the relevance of the exhibit to
the global cultural interchange between Japan and "the West".
Buy at least one postcard of an exhibit that interested you and be prepared
to talk about this exhibit, and your response to the exhibits as a whole.
Be ready to show me your ticket and notes.
General instructions for the websites homework.
To find a site, you need to think of a) the type of organization that might
produce the sort of site you are looking for, and b) keywords that are
likely to be appear on the actual pages of the site.
a) Why do you think that the site is "reliable"? (Who is responsible,
when was it last updated, how is it designed etc.?) For more advice on
finding "reliable" websites, see this page, from Cornell University Library. Please be ready to explain why it is
"reliable".
b) Wha‚” are the strong and weak aspects of the site ? Please be ready to
describe the site to the other students, with particular relevance to its
strong/weak points from a) the point of view of a non-Japanese trying to
find out about Japan, and b) from the point of view of the "global
image" of Japan. What does the site contribute to a) understanding
of the global cultural interchange between Japan and "the West"
in the past, and b) to the actual global cultural interchange between Japan
and "the West" that is occurring now? Be ready to show me your
notes. These should include the title of the site and the url.